myERCO

myERCO

Your free myERCO account allows you to mark items, create product lists for your projects and request quotes. You also have continuous access to all ERCO media in the download area.

Login

You have collected articles in your watchlist

Technical environment

Technical environment

Global standard 220V-240V/50Hz-60Hz
Standard for USA/Canada 120V/60Hz, 277V/60Hz
  • 中文

Our contents are shown to you in English. Product data is displayed for a technical region using 220V-240V/50Hz-60Hz.

{{ tu_banner_headline }}

{{ tu_banner_copy }}

Flicker-free dimming

CCR and PWM compared

LED lighting suitable for film recording

Cameras are integrated into almost all of today's mobile devices and record our environment in moving images: for example video conferences on laptops, augmented reality apps and smartphone clips for social media. Among other factors, lighting is decisive for the quality of the recording. Today's camera chips are powerful enough to generate good images even in buildings with dimmed lighting conditions. For videos with high quality, the dimming method of the lighting installation and the quality of the control gear therefore must be taken into account by the lighting design.

CCR and PWM: the difference in perception

For architectural illumination two dimming methods have prevailed – constant current dimming (CCR) and pulse width modulation (PWM). CCR continuously reduces the current and therefore brightness, whereas the signal is interrupted with PWM. A sequence of on-off conditions is created. Our eye is too slow to perceive this rapid on-off switching. With film recordings however, depending on the frequency, interferences in the image material are created. With a motionless object and still camera, modern camera systems are able to compensate for this after a short time. Commercially available devices however cannot implement this compensation. These image artefacts are displayed as horizontal lines on the display for example with smartphones and tablets.

LED lighting suitable for film recording

The relative luminous flux of LEDs and the output current of the control gear are almost proportional with both methods. As such, the representation of the operating current corresponds to the visual impact of the constant current dimming (CCR) and pulse width modulation (PWM) methods of dimming. With CCR, the current is reduced and therefore also the luminous flux of the LEDs. PWM on the other hand functions with an on-off signal and alternating pulse duration. The operating current with on-state of the LEDs remains constant. In a similar way to a sequence of single images with film formats, our eye does not perceive this on-off frequency as single pulses. As a consequence, the impression of lower brightness is created. Camera systems scan an image line-by-line though. Off-states of the LED are therefore displayed as dark lines on the image.

Products

Projects

Downloads

Planning light

About ERCO

Contact

Inspiration